for Flute and Harpsichord obbligato (Piano)-The B Minor Suite has a special place among the four extant Orchestral suites by Johann Sebastian Bach (BWV 1066-1069) for two reasons: it is the only suite that calls for only one wind instrument and the only one with extensive solo passages for one instrument. Since moreover it is essentially Bach's only composition for solo Flute with Orchestra it enjoys great favour among flutists.A proper string ensemble is not always at one's disposal. Therefore an arrangement {or Flute and Obbligato Harpsichord has been prepared similar to one Bach himself might have written. The aim here has been to do nothing thatBach himself would not have done yet to refrain from doing everything of which he was capable.

IDENTICO 5123A-Wo gehest du hin? BWV 166Cantata for the 4th Sunday after EasterThe cantata Wo gehest du hin? which dates from the first year of Bach's appointment in Leipzig and was given for the first time on 7 May 1724 takes as its starting point a phrase from the gospel for the fourth Sunday after Easter (St. John xvi 5-15). Bach's setting of this text is simple and concise. The scoring is light - apart from Strings and continuo it calls only for an Oboist and three Vocal soloists and a Chorus in the closing chorale. Urtext of the New Bach Edition Performance material (BA10166) and Vocalscore (BA10166-90) available for sale

Cantata for the 4th Sunday after Easter-Wo gehest du hin? BWV 166Cantata for the 4th Sunday after EasterThe cantata Wo gehest du hin? which dates from the first year of Bach's appointment in Leipzig and was given for the first time on 7 May 1724 takes as its starting point a phrase from the gospel for the fourth Sunday after Easter (St. John xvi 5-15). Bach's setting of this text is simple and concise. The scoring is light - apart from Strings and continuo it calls only for an Oboist and three Vocal soloists and a Chorus in the closing chorale. Urtext of the New Bach Edition Performance material (BA10166) and Vocalscore (BA10166-90) available for sale

Cantata for the 4th Sunday after Easter-Wo gehest du hin? BWV 166Cantata for the 4th Sunday after EasterThe cantata Wo gehest du hin? which dates from the first year of Bach's appointment in Leipzig and was given for the first time on 7 May 1724 takes as its starting point a phrase from the gospel for the fourth Sunday after Easter (St. John xvi 5-15). Bach's setting of this text is simple and concise. The scoring is light - apart from Strings and continuo it calls only for an Oboist and three Vocal soloists and a Chorus in the closing chorale. Urtext of the New Bach Edition Performance material (BA10166) and Vocalscore (BA10166-90) available for sale

Cantata for the 4th Sunday after Easter-Wo gehest du hin? BWV 166Cantata for the 4th Sunday after EasterThe cantata Wo gehest du hin? which dates from the first year of Bach's appointment in Leipzig and was given for the first time on 7 May 1724 takes as its starting point a phrase from the gospel for the fourth Sunday after Easter (St. John xvi 5-15). Bach's setting of this text is simple and concise. The scoring is light - apart from Strings and continuo it calls only for an Oboist and three Vocal soloists and a Chorus in the closing chorale. Urtext of the New Bach Edition Performance material (BA10166) and Vocalscore (BA10166-90) available for sale

Kantate Zum 2. Osterfesttag. Par BACH JOHANN SEBASTIAN. The composition of this parody was begun in 1718 and completed with the final version in 1731. The original work [the basis of the parody] was 'Der Himmel lacht auf Anhalts Ruhm und Glück', which was a cantata for the birthday of Count Leopold von Anhalt-Köthen [1718, BWV 66a], with a text by Christian Friedrich Hunold, alias Menantes./ Répertoire / Solistes ATB, Choeur SATB, (Trompette), 2 HautboiS

Kantate Zum 2. Osterfesttag. Par BACH JOHANN SEBASTIAN. The composition of this parody was begun in 1718 and completed with the final version in 1731. The original work (the basis of the parody) was 'Der Himmel lacht auf Anhalts Ruhm und Glück', which was a cantata for the birthday of Count Leopold von Anhalt-Köthen (1718, BWV 66a), with a text by Christian Friedrich Hunold, alias Menantes./ Répertoire / Solistes ATB, Choeur SATB, (Trompette), 2 HautboiS

Edition Walther Reinhart Compositeur : Bach Johann Sebastian Instrumentation : Voix (Instr) solo, Bc Ach Gott, wie manches Herzeleid aus BWV 44 (T, Org) Kein' Frucht das Weizenkörnlein bringt aus BWV 114 (S[A], Org) Valet will ich dir geben aus BWV 95 (S, Ob-dam[V], Org) Erbarm dich mein aus BWV113 (A, V. Org) Ich bitte dich, Herr Jesu Christ aus BWV 166 (S, V[Va], Org) Ach bleib bei uns aus BWV 6 (S[A], Vc-picc, Org) Zion hört die Wächter singen aus BWV 140 (T, V[Va], Org, [Cemb])

23 Famous Piano Pieces-The Indispensable Bach Collection contains 23 of Bach's most famous pieces arranged for solo Piano. Pieces include: Invention No. 1 in C Major BWV 772 Invention No. 2 in C minor BWV 773 Invention No. 4 in D minor BWV 775 Invention No. 8 in F Major BWV 779 Invention No. 13 in A minor BWV 784 Gigue from English Suite No. 5 in E minor BWV 810 Courante from French Suite No. 2 in C minor BWV 813 Allemande fromFrench Suite No. 3 in B minor BWV 814 Gavotte and Bourrée from French Suite No. 5 in G Major BWV 816 Prelude from Partita No. 1 in B-flat major BWV 825 Sarabande from Partita No. 2 in C minor BWV 826 Rondeau fromPartita No. 2 in C minor BWV 826 Prelude and Fugue No. 1 in C Major from The Well-Tempered Clavier Book 1 BWV 846 Prelude and Fugue No. 2 in C minor from The Well-Tempered Clavier Book 1 BWV 847 Prelude and Fugue No. 3 inC-sharp Major from The Well-Tempered Clavier Book 1 BWV 848 Prelude and Fugue No. 17 in A-flat Major from The Well-Tempered Clavier Book 1 BWV 862 Prelude and Fugue No. 21 in B-flat Major from The Well-Tempered Clavier Book 1BWV 866 Prelude in C Major BW 924 Prelude in D minor BWV 926 Prelude in C Major BWV 939 Prelude in C minor BWV 999 Aria da capo from Goldberg Variations BWV 988.

Wide selection of fine pieces, many difficult to find elsewhere. Included are harpsichord toccatas, Capriccio on the Departure of His Most Beloved Brother, Aria Variata 'alla Maniera Italiana' and the 6 Little Preludes, as well as many lesser-known compositions — over 40 in all.Content :Toccata in F-sharp Minor, BWV 910Toccata in C Minor, BWV 911Toccata in D Major, BWV 912Toccata in D Minor, BWV 913Toccata in E Minor, BWV 914Toccata in G Minor, BWV 915Toccata in G Major, BWV 916Prelude and Fugue in A Minor, BWV 895Fugue n A Major, from Prelude and Fugue, BWV 896Fugue in A Minor, BWV 897 (doubtful)Prelude and Fughetta in D Minor, BWV 899 (doubtful)Prelude and Fughetta in E Minor, BWV 900Fantasia and Fugue in D Minor, BWV 905 (doubtful)Fantasia and Fughetta in B-flat Major, BWV 907 (doubtful)Fantasia and Fughetta in D Major, BWV 908 (doubtful)Concerto and Fugue in C Minor, BWV 909 (doubtful)Fantasia in G Minor, BWV 920 (doubtful)Fantasisa in C Minor, BWV Anh. 86 (incomplete)Prelude (Fantasia) in C Minor, BWV 921 (doubtful)Prelude in B Minor, BWV 923 (doubtful)Seven Little Preludes, BWV 924-930 (from the Clarvier-B?ein vor Wilhelm Friedemann Bach)Six Little Preludes, BWV 933-938Five Preludes, BWV 939-943Fugue in A Minor, BWV 944Fugue in A Major, BWV 949 (doubtful)Fugue in B Minor on a Theme by Albinoni, BWV 951Fugue in C Major, BWV 952 (doubtful)Fugue in C Major, BWV 953 (from the Clavier-B?lein vor Wilhelm Friedemann Bach)Fugue in B-flat Major, BWV 954 (arr. from J. A. Reincken's Hortus musicus)Fugue in B-flat Major, BWV 955 (arr.of an organ fugue by J. C. Erselius)Fugue in E Minor, BWV 956 (doubtful)Fugue in G Major, BWV 957 (doubtful)Fugue in A Minor, BWV 958Fugue in A Minor, BWV 959Fughetta in C Minor, BWV 961 (doubtful)Prelude, Fugue and Allegro in E-flat Major, BWV 998 (for lute or keyboard)Suite in A Minor, BWV 818Suite in E-flat Major, BWV 819Ouverture in F Major, BWV 820Suite in B-flat Major, BWV 821Suite in F Minor, BWV 823 (incomplete)Partie in A Major, BWV 832Partita in C Minor, BWV 997 (for lute or keyboard)Partita in E Major, BWV 1006a (for lute or keyboard; arr. Of Violin Partita No. 3, BWV 1006)Sonata in D Major, BWV 963Sonata in D Minor, BWV 964 (arr. Of Violin Sonata No. 2, BWV 1003; doubtful)Sonata in A Minor, BWV 965 (arr. from Reincken's Hortus musicus)Sonata in C Major, BWV 966 (arr. from Violin Reinchken's Hortus musicus)Adagio in G Major, BWV 968 (arr. from Violin Sonata No. 3, BWV 1005; doubtful)Three Minuets, BWV 841-843 (from the Clavier-B?ein vor Wilhelm Friedemann Bach)Aria variata alla maniera italiana [Air varied in the Italian manner], BWV 989 Capriccio sopra la lontananza del suo fratello dilettissimo [Capriccio on the departure of his most beloved brother], BWVCapriccio in E Major, BWV 993

Kantate Zum 2. Osterfesttag. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 66/ Répertoire / Solistes ATB, Choeur SATB, (Trompette), 2 HautboiS

Kantate Zum 2. Osterfesttag. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 66/ Répertoire / Solistes ATB, Choeur SATB, (Trompette), 2 HautboiS

Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?. The present volume is an updated edition of Series IV, Volume 6 of the ?New Bach Edition? (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the ?Fantasia in C minor? (BWV 1121), the ?Fantasia in G major? (BWV 571), the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand, the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its ?Bach? digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ? New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ? New contents reflecting the current state of source evaluations ? Links to sources in ?Bach digital? ? Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli